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Week 14
Rafael on Daniel Rozin Exhibition software demo Rethinking Curating Discussion Curating workshop- group work Curatorial statement review Lab Time Homework: Finish final projects (guidelines here) Prepare a 5-7 minute "Curator's Talk" for your final presentation Complete any extra credit or … Continue reading
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Writing a Curatorial Statement
Here is a summary of what we went over in class as we read Elisabeth Sussman's catalog essay for Invented Worlds. Introduction — artist names, title, how the artists work, the main theme (kind of like the "thesis statement" or … Continue reading
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Curating Resources
Local Artist Registries/Databases: Rhizome's Art Base and Portfolios Nurture Art Registry (Emerging artists and curators, not curated) BRIC Registry (Brooklyn affiliated visual artists, not curated) White Columns Registry (Emerging artists, curated) Some Significant New Media-related exhibitions, archived online: Beyond Interface … Continue reading
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Week 6 Agenda
Artist Presentation: Chris Q on Janet Cardiff and George Bures Miller Present Soundscape Projects Brief Listening Exercise Discussion Sound Mapping: Invisible-5, You Are Not Here, Art Mobs Midterm Assignment Video Camera/Line In Demo Audacity techniques for field recording Assignments: Midterm … Continue reading
Mapping in Art
Psychogeography The study of the effects of the geographic environment on the emotions and behavior of individuals. Paris, France, 1955 Lettrists, Situationists, Guy Debord The Society of the Spectacle, 1967 (as described here) With the term spectacle, Debord defines the … Continue reading